Every story
has a colour.

A creative eye.
A production mindset.

Colour shapes how a story feels. My approach starts with the filmmaker’s intent: finding the palette, contrast and texture that give the image its voice.

My path through dailies—from technician to supervisor and colourist—has given me a practical understanding of the relationship between production and post. I bring that perspective to the creative process, with attention to detail, consistency and collaboration.